Qi Gong was a Chinese calligrapher, ink painter and scholar, renowned for his contributions to the preservation and innovation of Chinese art and culture. Born in 1912 into a noble Manchu family in Beijing, Qi Gong was introduced to traditional Chinese art and literature at an early age. His ancestral lineage can be traced back to the Qing dynasty, which imbued him with a deep appreciation for classical Chinese culture.
Qi Gong’s early education was steeped in the traditional Chinese curriculum, including rigorous training in calligraphy and classical literature. He was particularly influenced by the works of the ancient masters, whose techniques and philosophies he meticulously studied and emulated. This foundation not only honed his technical skills but also shaped his artistic vision, blending the elegance of classical forms with his unique expressive style.
During his career, Qi Gong held several prominent positions in the academic and cultural spheres. He served as a professor at Beijing Normal University and Peking University, and was a member of the Chinese People’s Political Consultative Conference. His scholarly work was widely respected, particularly his research on Chinese calligraphy and painting, which provided valuable insights into the historical development and cultural significance of these art forms.
Qi Gong’s calligraphy is characterised by its fluidity, grace and profound sense of rhythm. His brushwork, marked by a dynamic interplay of strength and delicacy, reflects his deep understanding of the intrinsic connection between form and meaning in Chinese art. He was adept in various script styles, including seal script, clerical script, regular script and cursive script, each of which he mastered and adapted to his creative vision.
In addition to his achievements in calligraphy, Qi Gong was also an accomplished ink painter. His paintings often depicted landscapes, bamboo and plum blossoms, subjects that resonate with traditional Chinese aesthetics. His approach to painting, much like his calligraphy, was marked by a harmonious blend of technical precision and expressive freedom.
Qi Gong’s legacy extends beyond his artistic creations. He played a crucial role in the preservation of China’s cultural heritage during a period of significant social and political upheaval. His efforts to protect ancient manuscripts and promote traditional Chinese art have left an indelible mark on the cultural landscape of China.
Qi Gong passed away in 2005, leaving behind a rich legacy that continues to inspire artists and scholars. Like many modern masters who came before him including Qi Baishi, Qi Gong’s contributions to calligraphy and ink painting remain a testament to his profound understanding and mastery of Chinese art, and his work continues to be celebrated for its enduring beauty and cultural significance.
啓功
楷書八言聯
啓功 竹石圖 水墨朱砂紙本 立軸 一九九一年作
Bamboos
啓功 書法對聯 水墨紙本 立軸兩幅
Calligraphic Couplet
啓功
行書七言聯
QI GONG (1912-2005)
Calligraphy
啓功
行書屈大均詩
書法
啟功
啓功
書法陸游句
啓功
墨竹春筍
啓功
行書《論語》句
啓功
行書七言聯
啓功
朱竹蘭石
啟功 書法 水墨紙本 立軸
Calligraphy
QI GONG (1912-2005)
Calligraphy
啓功
書法錄唐人句
啓功
書法
啓功
書法陸平原《演連珠》
啓功
葡萄
書法
啟功
啓功
行書-白居易詩句
啟功
蘭竹芳馨 朱砂水墨紙本 鏡框 一九八九年作
啓功
行書七言詩
啓功
書法 水墨花箋 立軸 一九八二年作
啓功 書法 水墨紙本 立軸
Calligraphy
啓功(1912-2005)
七言行楷聯
啟功
朱竹紅蘭 朱砂水墨紙本 鏡框
樂府詩集
啟功
啟功
書法《發》 水墨紙本 鏡框 一九八七年作
啓功
書法─積慶堂
啓功
書法
啓功
書法
啓功 書法對聯 水墨紙本 立軸兩幅
Calligraphic Couplet
啓功
行書杜甫詩
啟功
書法"犁春居" 水墨紙本 鏡框
啓功
行書-怡雲
書法
啟功
啓功
行書王羲之《長素帖》
啓功
行書-妙香
啓功
行書七言聯
啟功
硃竹 朱砂紙本 鏡框 一九八三年作
啓功(1912-2005)
行書宋人句
QI GONG (1912-2005)
Calligraphy
啓功
行書書法 水墨紙本 立軸
啓功(1912-2005)
書法-蘭亭詩
啓功
行書《東坡集後一首》
啓功
行書《宰相安和帖》
啟功 書法 水墨紙本 立軸
Calligraphy
啓功
行書題畫詩