BILL TRAYLOR (CIRCA 1853-1949)
BILL TRAYLOR (CIRCA 1853-1949)
BILL TRAYLOR (CIRCA 1853-1949)
2 更多
PROPERTY FROM THE WILLIAM LOUIS-DREYFUS FOUNDATION
BILL TRAYLOR (CIRCA 1853-1949)

UNTITLED (POINTING MAN IN HAT AND SPOTTED SHIRT)

细节
BILL TRAYLOR (CIRCA 1853-1949)
UNTITLED (POINTING MAN IN HAT AND SPOTTED SHIRT)
tempera, graphite and string on card
19 x 12 1⁄8 in.
Painted circa 1939-1942.
来源
Luise Ross Gallery, New York
William Louis-Dreyfus, Mount Kisco, New York, 1992
Gifted from the above to The William Louis-Dreyfus Foundation, Mount Kisco, 2013
出版
Valérie Rousseau and Debra Purden, Bill Traylor (Milan, 2016), p. 166, illustrated.

荣誉呈献

Cara Zimmerman
Cara Zimmerman Head of Americana and Outsider Art

查阅状况报告或联络我们查询更多拍品资料

登入
浏览状况报告

拍品专文

Untitled (Pointing man in hat and spotted shirt) is an exceptional work, revealing Bill Traylor’s mastery over space, his subject matter and his media. Traylor was born into slavery in circa 1853 and most likely did not begin drawing until he was in his eighties while living in Montgomery, Alabama. This work was made between 1939 and 1942, a brief period during which Traylor executed his extant drawings and paintings on cardboard. Untitled (Pointing man in hat and spotted shirt) exhibits classic trademarks of Traylor’s work: the man's torso is drawn as a geometric box and his pants, arms, legs and his face are made with a straightedge, while Traylor uses the body and clothing to experiment with color, pattern and mass. Traylor draws the viewer in with the eye-catching pattern of the shirt, a stark contrast to the subtle nuances in color in the pants and the hat above, to create a dynamic image. The man, with one hand on his hip, the other in front of his face pointing upwards, strides forward. Traylor creates an innate energy in the figure’s presence not only with his active stance, but in the way he embraces the parameters of his space by almost entirely filling the card to impart the presence of authority. A string at the center of the upper edge infers a previous display, possibly hung up by Traylor himself in his space.

更多来自 域外艺术

查看全部
查看全部