AN ATTIC RED-FIGURED COLUMN-KRATER
AN ATTIC RED-FIGURED COLUMN-KRATER
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AN ATTIC RED-FIGURED COLUMN-KRATER

ATTRIBUTED TO THE NAPLES PAINTER, CIRCA 440-420 B.C.

Details
AN ATTIC RED-FIGURED COLUMN-KRATER
ATTRIBUTED TO THE NAPLES PAINTER, CIRCA 440-420 B.C.
16 1/8 in. (40.9 cm.) high
Provenance
with Galerie Günter Puhze, Freiburg, 1983 (Kunst der Antike, vol. 5, no. 193).
Dr. Manfred Zimmermann (1935-2011), Bremen, Germany, acquired by 1986; thence by descent to the current owner.
Literature
W. Hornbostel, Aus der Glanzzeit Athens: Meisterwerke griechischer Vasenkunst in Privatbesitz, Hamburg, 1986, pp. 131-132, no. 62.
M. Steinhart, Töpferkunst und Meisterzeichnung: Attische Wein- und Ölgefässe aus der Sammlung Zimmermann, Mainz, 1996, pp. 141-144, no. 32. pl. 21.
F. Hildebrandt, Antike Bilderwelten: Was griechische Vasen erzählen, Darmstadt, 2017, pp. 33, 131, figs. 25, 130; pp. 147-148, no. 51.
Beazley Archive Pottery Database no. 16023.
Exhibited
Hamburg, BATIG Foyer Esplanade; Kiel, Landesbank Schleswig-Holstein Girozentrale; Bremen, Übersee-Museum, Aus der Glanzzeit Athens: Meisterwerke griechischer Vasenkunst in Privatbesitz, 29 May 1986-18 January 1987.
Bremen, Antikenmuseum im Schnoor, 2005-2018.
Hamburg, Museum für Kunst und Gewerbe, 2018-2023.

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Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

Lot Essay

On the obverse, a charioteer, wearing a long pleated chiton cinched at his waist, drives a quadriga to the right. He leans forward, grasping the reins with both hands and holding a goad (kentron) in his right. Before him is the goddess Nike, with upraised wings, wearing a chiton and proffering a wool ribbon (taenia) to the charioteer. According to Steinhart (op. cit.) the taenia was, like the goddess, a symbol of victory; one may therefore read this scene as the crowning of the victor of a chariot race. Variations of the scene were popular with the Naples Painter and associated artists. For a nearly identical example formerly in the Ophiuchus Collection, for which J.D. Beazley wavered between its attribution to the Naples Painter and the Ariana Painter, see p. 1101, no. 2 in Attic Red-Figured Vase-Painters, second edition.

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