MAX BECKMANN (1844-1950)
MAX BECKMANN (1844-1950)
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MAX BECKMANN (1884-1950)

Gruppenbildnis Edenbar (Group Portrait, Eden Bar)

Details
MAX BECKMANN (1884-1950)
Gruppenbildnis Edenbar (Group Portrait, Eden Bar)
woodcut, on wove paper, 1923, a very good impression of Hofmaier's second (final) state, edition B (of B), signed and titled 'Gruppenbildnis' in pencil, from the unnumbered edition of 40, the full sheet, in generally good condition, framed
Sheet: 27 5/8 x 22 in. (701 x 560 mm.)
Literature
Hofmaier 277
Exhibited
Williamstown, Massachusetts, Williams College Museum of Art; Boston, Massachusetts, Museum of Fine Arts; The Modern Art of the Print: Selections from the Collection of Lois and Michael Torf, 5 May-14 October 1984, no. 15, p. 135 (illustrated)

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Lindsay Griffith
Lindsay Griffith Head of Department

Lot Essay

The upper class society, who Beckmann portrayed in their solidly flat unmasked convention again and again, is the subject of his biggest and perhaps most sophisticated woodcut. Three elegantly dressed, cosmopolitan people are placed in the bar of the most famous hotel in Berlin. The woman on the left is Johanna Loeb with Elisa Lutz, a singer from Argentina, on the right (also seen together in the lithograph Zwei Frauen H.245). The man in the middle is perhaps one of their husbands. Three musicians are in the background.

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