George Romney

British elite</a>, especially popular amongst women of high society. His reputation rivalled that of <a href=https://www.christies.com/zh/artists/"https://www.christies.com/en/artists/sir-joshua-reynolds">Sir Joshua Reynolds</a> and Thomas Gainsborough. Romney&rsquo;s style was marked by a keen observation of character, which he combined with a refined elegance in composition and colour.</p> <strong> </strong> <p>In 1872 George Romney met <a href=https://www.christies.com/zh/artists/"https://www.christies.com/en/lot/lot-5520537">Emma Hamilton</a>, who would become one of the artist&rsquo;s greatest muses. Romney was drawn to her unique beauty that combined the statuesque features of ancient Greek sculpture with the Rubenesque quality of her luscious chestnut hair. Between 1782 and 1786, Hamilton sat for Romney over 100 times, over 60 paintings with Hamilton as their inspiration or defining feature throughout their relationship. Romney painted Hamilton in four main categories: <a href=https://www.christies.com/zh/artists/"https://www.christies.com/en/lot/lot-4718858">real-life compositions</a>, <a href=https://www.christies.com/zh/artists/"https://www.christies.com/en/lot/lot-5175971">single-figure personified allegories</a>, <a href=https://www.christies.com/zh/artists/"https://www.christies.com/en/lot/lot-5426655">mythological or <a href=https://www.christies.com/zh/artists/"https://www.christies.com/en/lot/lot-6228757">religious subjects.</p> <p>Romney&rsquo;s oeuvre also includes numerous drawings, many of which served as studies for his larger works. These George Romney drawings reveal his meticulous approach to composition and his exploration of different poses and expressions, providing insight into his creative process. His drawings are noted for their fluidity and the artist&rsquo;s ability to convey a likeness with minimal lines.</p> <p>In 1799 Romney returned to Kendal and the family that he had left behind in pursuit of a career in London until his death in 1802. His impressive oeuvre encompasses some 2,000 paintings and 5,000 drawings, housed in private and public collections across the world, including the National Portrait Gallery in London.</p>" scroll-on-close button-variant-inline-in-text html-preview>

One of the most celebrated portrait painters of his time, George Romney built a reputation with his graceful and expressive depictions of British high society during the late 18th century. Born in 1734 in Dalton-in-Furness, Lancashire, Romney apprenticed under the local artist Christopher Steele in 1755. In 1757 he left the apprenticeship to set up his own studio in Kendal.

George Romney began to build up a name for his portraits of the local gentry. However, his heart was set on London, where he moved to in 1762. In London, Romney earned the patronage of the British elite, especially popular amongst women of high society. His reputation rivalled that of Sir Joshua Reynolds and Thomas Gainsborough. Romney’s style was marked by a keen observation of character, which he combined with a refined elegance in composition and colour.

In 1872 George Romney met Emma Hamilton, who would become one of the artist’s greatest muses. Romney was drawn to her unique beauty that combined the statuesque features of ancient Greek sculpture with the Rubenesque quality of her luscious chestnut hair. Between 1782 and 1786, Hamilton sat for Romney over 100 times, over 60 paintings with Hamilton as their inspiration or defining feature throughout their relationship. Romney painted Hamilton in four main categories: real-life compositions, single-figure personified allegories, mythological or religious subjects.

Romney’s oeuvre also includes numerous drawings, many of which served as studies for his larger works. These George Romney drawings reveal his meticulous approach to composition and his exploration of different poses and expressions, providing insight into his creative process. His drawings are noted for their fluidity and the artist’s ability to convey a likeness with minimal lines.

In 1799 Romney returned to Kendal and the family that he had left behind in pursuit of a career in London until his death in 1802. His impressive oeuvre encompasses some 2,000 paintings and 5,000 drawings, housed in private and public collections across the world, including the National Portrait Gallery in London.


GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)

Group portrait of Dorothy Stables (1753-1832), with her daughters, Harriet (1774-1827) and Maria (1775-1821), in a wooded landscape

George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of Elizabeth Ramus (1751-1848), daughter of Nicholas Ramus and subsequently wife of Baron de Nougal, half-length, in a pink dress with gold trim and a green shawl, her hair tied with a gold-embroidered white muslin scarf

GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)

Portrait of Mrs Deborah Jemima Maxwell (1755-1789), full-length, in a pale pink dress with a blue sash and a yellow wrap, in a wooded landscape

George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of Richard Newman Harding (1756-1808), full length, in a pink coat and breeches, with a dog in a wooded landscape

George Romney (Dalton-in-Furness, Lancashire 1734 - Kendal, Cumbria 1802)

Portrait of Mrs Moody (c.1767-1820), second wife of Samuel Moody, three-quarter-length, in a white dress trimmed with pink bows and a pink sash, holding a dog in her lap, in a landscape

George Romney (Dalton-in-Furness 1734-1802 Kendal)

Portrait of a lady and a child, traditionally identified as Mrs Cumberland and her son, Charles, half-length, in a white dress and bonnet

GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)

Double portrait of two siblings, three-quarter-length, in white dresses and a red and pink sash, in a landscape

George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of Lady Emma Hamilton, as Cassandra, half length, in a white robe, a laurel wreath crowning her head

George Romney (near Dalton-in-Furness, Lancs. 1734-Kendal, Cumbria 1802)

Portrait of Mrs Agnes Ainslie (1761-1796) and her son Henry (1786-1814), three-quarter-length, she in a white dress and mob-cap tied with a pink ribbon, holding a fob watch, the child in a white dress with a pink sash and white cap

GEORGE ROMNEY, R.A. (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)

Portrait of a lady, seated, three-quarter-length, in a landscape, traditionally identified as Anne, Countess of Clare (1766-1844)

George Romney (Dalton-in-Furness, Lancs 1734-1802 Kendal, Cumbria)

Portrait of General Albemarle Bertie, 9th Earl of Lindsay (1744-1818), half-length, in the uniform of the Grenadier guards

George Romney (Dalton-in-Furness 1734-1802 Kendal)

A sketchbook of 1791-2 including: Sketches for Macbeth: The cavern Scene; Macbeth: The Banquet Scene ; John Howard visiting a Lazaretto ; Newton and the Prism ; Landscape Studies; Studies for portraits; Studies of the head of an older man (possibly a self-portrait); Studies of a standing child; Studies of a reclining woman, possibly Iphigenia and her attendant spied on by Cymon ; Studies of a standing female figure with arm raised, possibly a study for Lady Hamilton as Cassandra or as Joan of Arc ; Studies of an initiation scene; Studies of couples meeting by a cottage; Studies of a dancing group; Studies of a male figure reaching down to embrace his infant child; A seated female figure with an attendant embracing a corpse, possibly related to the lost painting Susan when the seas are roaring ; and Sketches of an exotic figure in a robe

George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of Francis Lind (1752/3-1840), three-quarter-length, seated at a window, a one-keyed Simpson ivory flute in his right hand

GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)

Portrait of Mrs Susannah Whatman (1756-1828), née Bosanquet, half-length, in a painted oval

GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)

Portrait of Pamela, later Lady Edward Fitzgerald (?1773-1831), bust-length

GEORGE ROMNEY, R.A. (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)

Portrait of Sir Thomas Frankland, 6th Bt. (1750-1831), half-length, in profile

George Romney (Dalton-in-Furness, Lancs 1734-1802 Kendal, Cumbria)

Portrait of Mrs John Gathorne, half-length, in a silver gown, her left elbow resting on a table

George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of Mrs Mary Moody ( c . 1767-1820), wife of Samuel Moody, three-quarter-length, in a landscape

GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)

Portrait of George Morewood (1720-1792) of Alfreton Park, Derbyshire, full-length, in a green suit with a walking stick

George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of a lady, half-length, in a white dress, unfinished

George Romney (Dalton-in-Furness 1734-1802 Kendal)

Portrait of a gentleman seated, full-length, a table beside him

George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of Alicia Dundas, Lady Wedderburn (1754-1831), half-length

GEORGE ROMNEY, R.A. (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)

Portrait of Miss Williams, bust-length, in a painted oval

George Romney, R.A. (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of a girl, traditionally identified as Lady Charlotte Stanley (1776-1805); and Portrait of Edward (1775-1851), Lord Stanley, later 13th Earl of Derby, both bust-length

George Romney (Dalton-in-Furness 1734-1802 Kendal)

Portrait of John Mills, half-length

George Romney (near Dalton-in-Furness, Lancs. 1734-1802 Kendal, Cumbria )

Portrait of Emma, Lady Hamilton (1765-1815), bust-length

George Romney (near Dalton-in-Furness, Lancs. 1734-Kendal, Cumbria 1802)

Portrait of Hester, Countess of Clanricarde (d. 1803), half-length, in a red dress and a black, lace-trimmed wrap

George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of Lady Laetitia à Court, half-length, in a white muslin dress with satin bows

GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)

Portrait of James Cross of Clifton, Bristol (?1739-1791), three-quarter-length, at a table with a landscape beyond

George Romney (Dalton-in-Furness 1734-1802 Kendal)

Portrait of Colin Dunlop of Carmyle, Provost of Glasgow, seated, three-quarter-length

GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)

Portrait of Lady Alicia Wedderburn, née Dundas (1754-1831), half-length

GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)

Study for Milton and his daughters – en brunaille

GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)

Portrait of Mrs William Maguire, seated, half-length, in a white dress and fichu, a landscape beyond

GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)

A sketchbook of 12 sheets, rebound in a modern marbled paper binding, with new additional sheets at each end, including studies for: Portrait of Mrs Jackson; Melancholy; Portrait of Mrs Yeats; The Warren Family

George Romney (Dalton-in-Furness 1734-1802 Kendal)

A seated woman and other studies

George Romney (near Dalton-in-Furness, Lancs. 1734-1802 Kendal, Cumbria )

Portrait of a young girl, bust-length, in a white dress

George Romney (Dalton-in-Furness 1734-1802 Kendal)

Portrait study of the Rev. William Atkinson, half-length, wearing a broad-brimmed hat

George Romney (1718-1792)

The infant Shakespeare nursed by Tragedy and Comedy

George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of a lady, bust-length, in a white dress

George Romney (Dalton-in-Furness 1734-1802 Kendal)

Study of captives in a Lazaretto

George Romney (Dalton-in-Furness 1734-1802 Kendal)

Portrait of Admiral Sir John Orde, half-length

George Romney (Dalton-in-Furness, Lancashire 1734-1802 Kendal, Cumbria)

Portrait of a gentleman, traditionally identified as Mr. Light of Kelvedon, half-length, in a green coat

George Romney (Dalton-in-Furness 1734-1802 Kendal)

Study of a gentleman, standing, three-quarter-length

George Romney (Dalton-in-Furness 1734-1802 Kendal)

Study of women and children in an interior